Francisco de Goya y Lucientes, Portrait of Francisco Bayeu (c. 1795). Oil on canvas, 112 x 84 cm. Museo del Prado, Madrid.

Francisco de Goya y Lucientes, Portrait of Francisco Bayeu (c. 1795). Oil on canvas, 112 x 84 cm. Museo del Prado, Madrid.

Francisco de Goya y Lucientes, Carlos III in Hunting Costume (detail), ca. 1788. Museo Nacional del Prado, Madrid.

Francisco de Goya y Lucientes, Carlos III in Hunting Costume (detail), ca. 1788. Museo Nacional del Prado, Madrid.

Francisco de Goya y Lucientes, Shepherd playing a Dulzaina (1786-1787). Museo Nacional del Prado, Madrid.

Francisco de Goya y Lucientes, Shepherd playing a Dulzaina (1786-1787). Museo Nacional del Prado, Madrid.

Francisco de Goya y Lucientes, La Boda (The wedding), 1791-92. Museo Nacional del Prado, Madrid.

Francisco de Goya y Lucientes, La Boda (The wedding), 1791-92. Museo Nacional del Prado, Madrid.

Francisco de Goya y Lucientes, Self-Portrait in the Workshop (1790-95). Oil on canvas, 42 x 28 cm. Museo de la Real Academia de San Fernando, Madrid.

Francisco de Goya y Lucientes, Self-Portrait in the Workshop (1790-95). Oil on canvas, 42 x 28 cm. Museo de la Real Academia de San Fernando, Madrid.

Sebastiano Ricci, Fall of Phaethon (1703-04). Oil on canvas. Museo Civico, Belluno.

Sebastiano Ricci, Fall of Phaethon (1703-04). Oil on canvas. Museo Civico, Belluno.

Ivan Prokof’yevich PROKOF’YEV, Morpheus Sleeping (1782). Bronze. State Russian Museum, St. Petersburg.

Ivan Prokof’yevich PROKOF’YEV, Morpheus Sleeping (1782). Bronze. State Russian Museum, St. Petersburg.

John Henry FUSELI, Dante and Virgil on the Ice of Kocythos (1774). Pen and sepia, watercolour, 390 x 274 mm. Kunsthaus, Zurich.

John Henry FUSELI, Dante and Virgil on the Ice of Kocythos (1774). Pen and sepia, watercolour, 390 x 274 mm. Kunsthaus, Zurich.

 Etienne-Louis Boullée, Projet de cénotaphe à Isaac Newton (1784).

Etienne-Louis Boullée, Projet de cénotaphe à Isaac Newton (1784).

cavetocanvas:

Canaletto, Capriccio: The Horses of San Marco in the Piazzetta, 1743

cavetocanvas:

CanalettoCapriccio: The Horses of San Marco in the Piazzetta, 1743

(via akirak)

Antonio Canova, Orpheus and Eurydice (1775-76). Stone. Museo Correr, Venice.

Antonio Canova, Orpheus and Eurydice (1775-76). Stone. Museo Correr, Venice.

Giovanni Battista Piranesi, Le antichità Romane, t. 2, tav. L. ISCRIZIONI de’ SOLDATI PRETORIANI, ritrovate nella Villa de Cinque (1756).

Giovanni Battista Piranesi, Le antichità Romane, t. 2, tav. L. ISCRIZIONI de’ SOLDATI PRETORIANI, ritrovate nella Villa de Cinque (1756).

James Gillray, The Blood of the Murdered Crying for Vengeance (1793). Etching. New College, Oxford University, Oxford.

James Gillray, The Blood of the Murdered Crying for Vengeance (1793). Etching. New College, Oxford University, Oxford.

Francisco de Goya (1746-1828), Con razón o sin ella. Etching, 15 x 20.9 cm. The British Museum, London.

Francisco de Goya (1746-1828), Con razón o sin ella. Etching, 15 x 20.9 cm. The British Museum, London.

Francisco de Goya y Lucientes, The Chinchillas (1799). Etching and aquatint, 210 x 150 mm.

Francisco de Goya y Lucientes, The Chinchillas (1799). Etching and aquatint, 210 x 150 mm.